Africa Is a Country

Weekend Music Break No.81

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break No.81

By
Boima Tucker

J Martins and Koffi

Your weekend music break for July 18th, 2015

This week, master of the new school J. Martins, and master of the old school Koffi Olomide team up in Dance 4 Me, the remix; A busy week for Jidenna who angers Nigerian Twitter, apologizes, and then links up with Kendrick Lamar for the classic man remix; Holy Forest offers an impressive collaboration connecting different nodes in the Black Atlantic with “Africa Calling”; Kollins and Toofan link up for an Ivorian-Togolese party jam called “Crazy People”; Sierra Leonean crooner Famous sings on a London rooftop in “Throway”; Emicida, Inna Modja, and Killah Ace offer up political rap stylings; Tumi provides some more party rap offerings with “Visa”; and finally, top Jamaican artist Popcaan releases a new video this week called “Way Up”.

Further Reading

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.