Quite the mixed bag this week. ‘Disco Malapaa’ by Arusha’s Jambo Squad above; nine more below.

Like Jambo Squad, Mokoomba (from Zimbabwe) switch into Latino mode halfway in their new video:

http://www.youtube.com/watch?v=uqZdaVNOHj0

Anbuley’s ‘Oleee’ arrives just in time for European summer:

Also based in Europe, although his latest video (like the previous one) suggests a longing for elsewhere, is Gaël Faye:

Simphiwe Dana decided to take a step back from social media a while ago and concentrate on doing what she does best: speak truth through music:

Still in South Africa, taxis and drifters:

South Africa based poppy Cameroonian Denzyl:

From Guinea, the Matoto Family:

Sierra Leone’s Refugee All Stars signed up for a cause:

And — to turn it down a notch — Ablaye Cissoko and Volker Goetze wrote a subdued lament for Haiti — quite beautifully — and recorded a video for it in Gorée:

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.