Fresh Eyes: KB Mpofu’s moments of intimacy

We head to Zimbabwe for the continuation of our Fresh Eyes series. Based in Bulawayo, KB Mpofu is a self-taught photographer who shoots portraits, fashion editorials and NGO work.

With portraits in particular, the camera itself has a presence which heightens the intensity of the interplay between photographer and photographed. This is a delicate relationship to manage and it can manifest in myriad ways, not all of them pleasant. When viewing Mpofu’s work, the emotional nature of his photographic process reveals itself in the expressions of his subjects. Whether capturing moments of introspection or the everyday, Mpofu elicits a prevailing intimacy from the people he photographs. He memorializes his subjects in bouts of meditative calm as the light lays upon them.

In his own words:

My choice of subjects mostly comes from an instinctive place, resulting in some candid moments. I always back my instincts to see spontaneous photo opportunities around me. I am fascinated by the contrast between light and darkness and how it can be used to create a sense of anonymity. Lately I have been drawn into portraiture work that captures mood through light and composition.

Bulawayo, 2014

Light and Lines

Keo-+-Nozukp-shoots-031

Long day, Bulawayo 2014

Lobengula Street, Bulawayo 2014

Portraits-4

Tina, Johannesburg 2013

For more of KB Mpofu’s work visit http://kbmpofu.com/

 

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.