Fresh Eyes: KB Mpofu’s moments of intimacy

We head to Zimbabwe for the continuation of our Fresh Eyes series. Based in Bulawayo, KB Mpofu is a self-taught photographer who shoots portraits, fashion editorials and NGO work.

With portraits in particular, the camera itself has a presence which heightens the intensity of the interplay between photographer and photographed. This is a delicate relationship to manage and it can manifest in myriad ways, not all of them pleasant. When viewing Mpofu’s work, the emotional nature of his photographic process reveals itself in the expressions of his subjects. Whether capturing moments of introspection or the everyday, Mpofu elicits a prevailing intimacy from the people he photographs. He memorializes his subjects in bouts of meditative calm as the light lays upon them.

In his own words:

My choice of subjects mostly comes from an instinctive place, resulting in some candid moments. I always back my instincts to see spontaneous photo opportunities around me. I am fascinated by the contrast between light and darkness and how it can be used to create a sense of anonymity. Lately I have been drawn into portraiture work that captures mood through light and composition.

Bulawayo, 2014

Light and Lines

Keo-+-Nozukp-shoots-031

Long day, Bulawayo 2014

Lobengula Street, Bulawayo 2014

Portraits-4

Tina, Johannesburg 2013

For more of KB Mpofu’s work visit http://kbmpofu.com/

 

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.