All of the party

A mix of French hip hop and smooth R&B dominates this installment, Number 5, of music from the French capital. Paris is a Continent.

David Beckham playing at his last club, LA Galaxy in the MLS (Anna Enriquez, via Flickr CC).

Not sure what it says about France that the headlines in Paris are dominated by stories that Dominique Strauss-Kahn, who sexually assaulted an African woman working as a cleaner in a New York City hotel, is being portrayed as a victim of a conspiracy. To top it all, David Beckham, a semi-retired 36-year-old English player is entrusted with bringing back glamor to French club football (he signed with Paris Saint Germain).

Meanwhile, a mix of French hip hop and smooth R&B dominates this installment of music from Paris.  This week is a short offering since I am going on vacation today.

First up,  the Tunisian rapper Sniper featuring Sexion d’Assault on “Blood Diamondz.” (You may remember that Sexion d’Assault was, until recently, known more for their homophobic outbursts than their music. They claimed to have left hate behind.)

For now, here are two: first, Marseille-born singer Kenza Farah featured on the song “Tous de la Fête” by Dibi Dobo (his family comes from Benin). Kenza Farah’s family is Kabyle from Algeria. Their collaboration features the pan-African spirit that exist among Africans, whether from North and Sub-Saharan Africa, in France.

Then there’s Evanz, a singer discovered by La Fouine, and her song “Ton Silence,”  The song features rapper Soprano.

 

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.