Earlier this year, the Congolese government declared European development commissioner Karel De Gucht persona non grata because of comments he made to the European Parliament, stating that the weakness of the Congolese state meant that EU aid had limited impact. Kinshasa dubbed De Gucht’s comments as ‘racist, disrespectful and irresponsible,’ barring him from entering the DRC. This wasn’t the first time. Six years ago he had already been called a ‘Tintin minister’.

We’re almost a year later. De Gucht has swapped portfolios, now being the European trade commissioner, and the Congolese government seems to have forgotten about their earlier ban. How do we know?

Some days ago, De Gucht participated in a debate on the current state of play of the Economic Partnership Agreements at the ACP-EU Joint Parliamentary Assembly in Kinshasa. This is how he was greeted by some street vendors:

– Tom Devriendt

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.