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My man Gary Younge, New York-based feature writer and columnist for The Guardian, has a new book out on 21st century identity politics: Who are We–And Should It Matter in the 21st Century? The clips above and below, are from an interview with Gary about the book on the BBC program, “Booktalk.”  After the jump, as they say, is part two. (What’s sort of surreal is that Gary gets to finish his sentences. This is not American TV.)

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Gary has also been interviewed by Andrew Marr and The Socialist Review.

Here is an excerpt from the book.  I am reading it now. Gary writes about his ambivalence with identity politics and its uses and abuses after 9/11.  The writer Margaret Atwood tweeted that it is an “excellent” book. The early reviews are also encouraging: Bookbag called it “thoughtful … incisive [and] accessible.”  There’s also a good review here.

Sean Jacobs

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.