Viral Culture: Matt’s dance

A brand of football trickery and showmanship have only reaped bad results on the field for South African teams, but is also a great dance.

Screenshot.

We’ve been going on about Diski, but I couldn’t resist sharing yet another Diski-related video. Earlier this year, no less an authority than The New York Times defined Diski as “… football in township slang.” The site’s editor, Sean, doesn’t like Diski; he says in real life, this brand of football trickery and showmanship have only reaped bad results on the field for South African teams. In any case, this time featuring Matt Harding, of Where the Hell is Matt fame (you know, that guy that got paid to go around the world making ridiculous dance videos?) Not particularly interesting, but precisely the stuff that viral sensations are made of. Well, Matt has resurfaced in South Africa, where he was  apparently invited to come learn the diski dance.

Watch him not (completely) screw it up. Rhythm like you’ve never seen before, indeed.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.