The Trumpet King

Zeal Onyia was a master Nigerian trumpet player from the 1950s treated as an equal by Louis Armstrong.

Jeremy of Naijablog forwarded me this Youtube video of two recorded songs by  Zeal Onyia, the master Nigerian trumpet player from the 1950s of whom Louis Armstrong on a visit to Nigeria in 1961 was to have asked:  “Who is that hip cat?”

In the video you can hear two of Onyia’s highlife inflected compositions, “Money Trouble” and “Lumumba.”  The recordings you hear “were taken from a tape of tape that was originally recorded off an old 78 rpm record given to Don [Maxwell, the guy who originally uploaded them to the internet] by Zeal Onyia himself in 1964.”

You can read the story how these two recordings came to be in the possession of Maxwell on his site Abstract Concrete Works.

Further Reading

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.