This time no theme, just another Music Break for your weekend!

Weekend Music Break No.108

1) This week starts out with Morocco via Bronx rapper French Montana’s approach to the current Afropop zeitgeist in the USA, and obligatory accompanying video shot in Africa… a trip surely inspired by Ugandan youth’s propensity towards “viral dance videos,” Nice, but what’s up with that ending French!? 2) Awesome Tapes From Africa recently reissued the hit 1980s album from South African Bubblegum artist Umoja. Here is the original video for the hit double platinum song “707.” 3) Up next J Hus, the catchy-hook-laden UK street rapper of Gambian origin, releases the long awaited first single from his forthcoming major label debut. 4) Fellow UK Afrobeats artists, Omo Frenchie, Kwamz, Flava, Sona, Selimax and GB team up for an Africa Is a Country all star lineup. The results are hypnotically spectacular. 5) Then, we head to Nigeria, with Burna Boy, and the visuals for his new single “Hallelujah.” 6) That is followed by another standout performance from Nigerian artist YCEE, “Juice,” featuring production by super producer Maleek Berry. 7) We love anything that brings together the Americas with Africa. So, Sean Tizzle, and his salsa-afropop hybrid “Latin Lover” takes us to Central America and the Caribbean. 8) Heading a bit South from there to the Pacific Coast border of Ecuador and Colombia, Rio Mira play “Román, Román” live at the Petronio Alvarez festival in Cali. 9) Cuban Hip Hop is getting a lot of attention these days. Last week saw the release of the Afro Razones album. This week, we have Cuban Hip Hopper La Dame Blanche showing us a bit of her recent trip to SXSW in Austin, Texas. (Side note, it’s amazing for me to hear the connections between traditional Pacific coast Afro-American music and the Cuban melodies in La Dame Blanche’s flow.) 10) Finally, we have to pay homage to the cradle of contemporary global pop music, Jamaica, with Alkaline and his new single “After All.”

Have a very happy weekend!

Further Reading

An unfinished project

Christian theology was appropriated to play an integral role in the justifying apartheid’s racist ideology. Black theologians resisted through a theology of the oppressed.

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.