Don’t kill yourself because of suffering

Weekend Music Break, No.104 is just a playlist of ten great songs accompanied by predictably striking visuals from across Africa and its diaspora.

Malian singing legend Oumou Sangare performing in Essaouira, Morocco in June 2012.

Weekend Music Break is back to our regularly scheduled programming.  This week we start out with Malian legend Oumou Sangaré’s first release in seven years – and to top it off, she appears with Tony Allen in tow. The main message is about staying alive: “Don’t kill yourself because of suffering /  No-one should commit suicide because of pain / My brothers and sisters, we should not take our own lives /
because of suffering …”

Life on earth is not easy, but-no one should kill themselves

Then we head to Kenya where Muthoni channels a bit of (UK singer) MIA to call out corrupt politicians in her home country.

Up next, MHD and crew head from Paris to Manchester, and showing the Brits the French-African flavor their gonna miss out on as they start the EU exit process this week.

But London-based Mazi Chukz shows that the British-Africans can hold their own when it comes to stews.

Let’s head back to our continent now, alongside Wizkid who takes on a journey as he plays another packed live show somewhere on the continent.

Back home in Nigeria Lil’ Kesh makes an appeal for no fake love.

Cassper Nyovest does his best “I’m from Atlanta” impression with”Tito Mboweni.”

Let’s calm down from that a bit and head to Tidiane Thiam’s and Amadou Binta Konte in Senegal, and enjoy a more stripped down sound: one guitar, a hoddu and a microphone.

And let’s close out this week’s playlist with my current home of Brazil, and a who’s who of Afro-Brazilian rappers of many different stripes. Here they’re making an appeal for better and more and equal representation in their own country.

Further Reading

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.