Weekend Music Break No.95—Afro-Europe special!

Fresh of a trip to the UK and Germany, with stops in Afro-European strongholds of London and Berlin, I thought I’d theme this week’s Music Break around some of what I saw and heard there. So enjoy this brief (and not comprehensive by any means) trip around young Afro-Europe, with stops in London, Paris, Berlin, Lisbon and Rome.

Music Break No.95

  1. MHD was a revelation for me on this trip, first getting hipped to his #AfroTrap series by a friend in Bristol, and then being treated to an onslaught of it in Berlin for their Carnival weekend.
  2. Belly Squad out of London come with a bit of a naughty song and video to show the youthful energy of the UK-Afrobeats scene.
  3. Amsterdam via London’s Jaij Hollands’s gravely flow is taking Afrobeats in a little harder edged direction.
  4. Maître GimsSapés comme jamais was also on repeat in Berlin, also coming from the Paris scene.
  5. YCEE who bursted on to the scene with Jagaban last year takes his new video to the streets of London, showing how many artists, even those based in Africa, prefer to go to London for their aesthetics.
  6. Aina More is killing it over this beat by DJ Juls!
  7. On the other side of Berlin, Daniel Haaksman recruits Spoek Mathambo for this chugging Mbaqnga influenced Afro-house jam.
  8. Lisbon’s Throes + The Shine recruit Argentina’s La Yegros for this high tempo Afro-latin-rock number.
  9. A few years old classic out of Rome, Pepe Soup’s Pump Tire!
  10. And finally, the absolute Dona of the Lisbon Afro-electronic scene in her Boiler Room Lisbon appearance to take you out!

Happy week’s end!

Further Reading

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.