Africa is a Radio: Episode #15 – World Carnival 2016 Special!

The first Africa is a Radio episode of 2016 goes to Carnival with special guests Hipsters Don’t Dance! This month we run down some of the sounds of the World Carnival sound from Trinidad to Rio to Lagos and back!

Tracklist

Samito – Tiku la Hina
Baiana System – Playsom
Buju Banton – Champion (Maga Bo Remix)
Angela Hunte – Mon Bon Ami
Machel Montano & Timaya – Better Than Them (Jambe-An Riddim)
Runtown & Walshy Fire – Bend Down Pause Remix ft Wizkid & Machel Montano
Olatunji – Oh Yay
Patoranking – My Woman, My Everything… (feat. Wandecoal)
Banda Vingadora – Metralhadora
Delano – Devagarinho
Eddy Lover – Baja Pantalones feat. Aldo Ranks, JR Ranks & Mach & Daddy
Wizkid – Final (Baba Nla)
Pat Thomas & Kwashibu Area Band – Amaehu

About the Author

Boima Tucker is a music producer, DJ, writer, and cultural activist. He is the managing editor of Africa Is a Country, co-founder of Kondi Band and the founder of the INTL BLK record label.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.