Like a weary protest song that has been marching since the 1960’s

Kae Sun, who we’ve featured on this site before, has just released a new single. With an organ vamp that registers like an extended Prince intro, the interrogative lament wanders over handclaps, and rolling snare drums to give the feel of a weary protest song that has been marching since the 1960’s. Fittingly, the song is called “l o n g w a l k,” and it’s impatient yet resigned feel seems right on time in light of recent mainstream headlines.

The song will be part of Kae Sun’s forthcoming self-titled EP. Follow him on Soundcloud, Twitter, or check up on his website to stay in the loop on when it drops.

If you find yourself in the US’s Northeast this March 28th, head over to Yale University’s Africa Salon Concert, where he will be performing alongside Just a Band and Jean Grae.

Further Reading

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.

From Nkrumah to neoliberalism

On the podcast, we explore: How did Ghana go from Nkrumah’s radical vision to neoliberal entrenchment? Gyekye Tanoh unpacks the forces behind its political stability, deepening inequality, and the fractures shaping its future.

The Visa farce

The South African government’s rush to clear visa applications has led to mass rejections, bureaucratic chaos, and an overloaded appeals system—leaving thousands in limbo.