Like a weary protest song that has been marching since the 1960’s

Kae Sun, who we’ve featured on this site before, has just released a new single. With an organ vamp that registers like an extended Prince intro, the interrogative lament wanders over handclaps, and rolling snare drums to give the feel of a weary protest song that has been marching since the 1960’s. Fittingly, the song is called “l o n g w a l k,” and it’s impatient yet resigned feel seems right on time in light of recent mainstream headlines.

The song will be part of Kae Sun’s forthcoming self-titled EP. Follow him on Soundcloud, Twitter, or check up on his website to stay in the loop on when it drops.

If you find yourself in the US’s Northeast this March 28th, head over to Yale University’s Africa Salon Concert, where he will be performing alongside Just a Band and Jean Grae.

Further Reading

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.