Like a weary protest song that has been marching since the 1960’s

Kae Sun, who we’ve featured on this site before, has just released a new single. With an organ vamp that registers like an extended Prince intro, the interrogative lament wanders over handclaps, and rolling snare drums to give the feel of a weary protest song that has been marching since the 1960’s. Fittingly, the song is called “l o n g w a l k,” and it’s impatient yet resigned feel seems right on time in light of recent mainstream headlines.

The song will be part of Kae Sun’s forthcoming self-titled EP. Follow him on Soundcloud, Twitter, or check up on his website to stay in the loop on when it drops.

If you find yourself in the US’s Northeast this March 28th, head over to Yale University’s Africa Salon Concert, where he will be performing alongside Just a Band and Jean Grae.

Further Reading

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.