Africa Is a Country

#CaptionThis: What was Madonna pointing at?

Africa Is a Country Podcast
African Five-a-Side Podcast

#CaptionThis: What was Madonna pointing at?

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Africa is a Country

For some odd reason, last weekend, this striking black and white image by photographer Terry Kane of pop singer Madonna “tour(ing) a UN millennium village in Mtanga, Malawi, in 2007” illustrated a Financial Times book review of The Tyranny of Experts by William Easterly and The Idealist, by Nina Munk. Madonna is not mentioned in the piece at all which you can read here. In any case, we were struck more by the image and posted it on our Facebook page, where we asked readers to #captionthis. We promised that we’d feature a few of your responses on the blog, so here they are. Feel free to add more in the comments: 

Seán Burke: “You can put my self-importance right over there.”

Joseph Miller: “That’s where I want the two of you to perform Hakuna Matata”

Andriannah Mbandi: “Can i get a piggy back ride across to over theeeere?”

Jane Bennett: “(Medem to gardner) Lapha, lapha and lapha….”

Belinda Dodson: “Oh look! It’s a baby in the bulrushes.”

Ryan Justin Cummings: “Right there is where Lupita Nyongo’s parents bequeathed her to me….”

Katie Ubax Carline: “And there’s the crate with my clothing donation: camo trousers and a pair of combat boots for the whole town!”

Chantelle Hammer: “So Africa is right over there” jaaaa there”

Further Reading

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.