When Tendai Maraire broke down his Chimurenga Renaissance mixtape for us last year, he said about “It’s Time For You To Go”, a song inspired by a family visit to Zimbabwe (“driving down the street bumping Biggie’s ‘Juicy’”): “Young Maraire Boys being crazy at home.”

Toronto, Canada-based Zambian artist Chansa recently released his debut single, titled “Immigrant”, and has a video for it too:

Simba, Milton Gulli and Zubz’s “Scenario”, a first single taken off their Tribute To A Tribe Called Quest, which is a production by Mozambican arts collective Grasspoppers:

We now also have images to go with Ghanaian-Swiss audio experimentalist Oy’s hair philosophy:

http://www.youtube.com/watch?v=2ZmcAXy_7Bo

Matshidiso goes for a run in and around Johannesburg:

New soul from Sandra Nkaké who hails from Yaoundé, Cameroon but resides in France:

Anoter soul-ish one from the Mozambican lady who’s got Lusophone Africa on lock: Lizha James’ highly-stylized ode to her mother:

Jacques Vergès, Femi Falana and Thomas Sankara are but a few names who feature in this new track and video by Togolese rapper Elom 20ce (which he dedicates to Gouyano Sinandare, the 12-year-old who got murdered by the police during the student protests earlier this year):

Bajah (from Sierra Leone) recorded a Last.FM session with Prince Polo at The Kennel Studios in Brooklyn:

And Oliver Mtukudzi and the Black Spirits played an almost 30-minute set on Seattle radio station KEXP:

* The photo of Sandra Nkaké by Claire Vinson.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.