Africa Is a Country

Weekend Music Break, N°41

Africa Is a Country Podcast
African Five-a-Side Podcast

Weekend Music Break, N°41

By
Tom Devriendt

From Luanda: Dj Djeff has Nacobeta, Agre G & Game Walla doing their thing in the new video for “Mwangolé”. There’s a standard success script for all those kuduro videos out there. Not that we mind:

Glen Lewis’s Shona tune “Ndiyo ndiyo” will keep South African clubs warm this winter:

http://www.youtube.com/watch?v=sw7szeOHLWM

Kenyan P-Unit released this track, “Mobimba”, last month, featuring Sweden-based Alicios. Originally from Congo (that’s Alicios), you don’t have to look far where they took their inspiration from this time:

Not entirely sure what’s going on in this jumpy clip for MoBlack’s (also known as Domenico Falcone) “MeKa”. Is there a remix out yet?

M.anifest is working hard this year. Here on a new collaboration with EL:

Talib Kweli went to South Africa and came back with a music video for “High Life”:

A first single for Guinean Masta G (Conakry) off his album “Introspection”. Produced by Ahms Beatz; the final mixing was done by Redrum. (More music by Masta G here.)

Kae Sun’s got a new album coming out soon as well (‘Afriyie’, dropping later this month). “When the pot” is a second excerpt (remember last year’s “Ship And The Globe”):

Samba Touré’s album, Albala, was released this week. First single is “Be Ki Don” (YouTube notes have a translation of the lyrics — here):

And your moment of Zen: this video for Ghostpoet (born Obaro Ejimiwe, who has Tony Allen playing on drums on his latest record). Recommended:

Further Reading

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.