5 New Films to Watch Out For, N°27

An Oversimplification of Her Beauty is the creative debut feature of director Terence Nance who we got to know through the work he did together with Blitz the Ambassador. His new film is sold as a take on “young love” in the city of New York. First reviews praise, among other things, the mesh of visual styles: 

http://www.youtube.com/watch?v=kZabqZmA9lE

Below’s the pilot video for King Khama: The African Abe Lincoln (assuming the second part of the tile is provisional), a proposed animated movie about Botswana’s King Khama III. Know your history. The project’s website has more details (including excerpts of the script).

The Forgotten Kingdom is a long feature written and directed by Andrew Mudge. The Examiner has an interview with him about the genesis of the film — we learn the production crew was small, “made up mostly of interns from within the country with no film experience”, starring a cast of Basotho and South African actors — and a first favorable review. Predictably, debates broke out on the film’s Facebook wall after the release of the trailer over whether this is “the first film to come out of Lesotho” (the line they’re promoting it with), “a Lesotho film,” or “a South African film”. We won’t wade in. No news yet on when it will be showing in Maseru’s cinemas:



Tik & the Turkey is a one-hour documentary, currently in post-production, depicting the heroin and methamphetamine (also known as “tik”) problem in Cape Town, South Africa and the devastating effects it has on the people and the communities. Some perspective of the story’s urgency: a recent report suggested “1 in 5” (stats depend on who you ask) of school-going youth in the Cape flats are actively using tik.



Ali Blue Eyes is a film by Claudio Giovannesi about an Italian teen of Egyptian heritage (lead role for Nader Sarhan) caught between his conflicting identities. Variety‘s review is onto something when the author remarks that while “(a) young man trying to balance his roots with his environment has long been a familiar figure in cinema, the subject is of more recent vintage in Italy, which has only recently begun coming to grips with an immigrant population.”

Further Reading

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.