ZAM is an international multimedia platform celebrating African creativity and new thinking, priding itself on a network of over 500 African journalists, photographers, writers, artists, academics, visionaries, doers and hundreds of peers in Europe and elsewhere. (Which we can attest to.) The original Dutch version of ZAM Magazine has been around for a while but to widen their reach, the magazine has reinvented itself as “an independent, quarterly print magazine on Africa and beyond” that will be launched in Amsterdam today. The first international issue features contributions by Helon Habila, Achille Mbembe, Paula Akugizibwe and Elnathan John; profiles of artists Jane Alexander and Ayana Vellissia Jackson (the portrait on the magazine’s cover, above, is by Jackson); opinion pieces by Kalundi Serumaga, William Gumede, Kassim Mohamed; Africa is a Country (yes); and much more.

Speakers tonight will be Kunle Adeyemi, Palesa Motsumi and Idsis Akinbajo (with visuals by Bouba Doula and tunes by DJ Bamba Nazar). ZAM’s new facebook page has all the details.

(Tonight’s launch is open to everyone interested so if you’re in Amsterdam, shoot them an email confirming your presence at [email protected] — and tell them Africa is a Country sent you.)

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.