Friday Bonus Music Break, N°5

One of my favorite MCs / hip hop producers, Damu the Fudgemunk. I always check for his new work. (Reminds me of Madlib.) The video, below, is from 2009’s Madvillian. And this link is to his latest work.

So the main rapper on this Tanzanian track is a teacher and the featured artist is his student. The kid, Dogo Janja, is considered a star for the future. The song talks about the lack of pay and respect for teachers–no prizes for guessing the name of the great teacher whose pic flashes at the conclusion of the video.

Nigerian wedding music from Nigerian-American Eldee: Golden Arrow buses, Table Mountain, colonial statues in the company gardens. Is Cape Town the honeymoon spot for cool newlyweds or for shooting music videos on budget? Hey Europeans and Americans do it already.

http://youtu.be/VS4aFoeQG6A

A video preview of Chief Boima collaborator DJ Lamin Fofana’s latest:

http://youtu.be/mY6HNGWHzKE

Finally, some Yoruba soft jazz by Dipo (no not Diplo obviously) with “Be Your Man.” There’s also the freestyle version with Ghanaian vocalist Enya.

Further Reading

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.

Gen Z’s electoral dilemma

Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power.

A world reimagined in Black

By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora.

Securing Nigeria

Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.