Friday Bonus Music Break, N°5

One of my favorite MCs / hip hop producers, Damu the Fudgemunk. I always check for his new work. (Reminds me of Madlib.) The video, below, is from 2009’s Madvillian. And this link is to his latest work.

So the main rapper on this Tanzanian track is a teacher and the featured artist is his student. The kid, Dogo Janja, is considered a star for the future. The song talks about the lack of pay and respect for teachers–no prizes for guessing the name of the great teacher whose pic flashes at the conclusion of the video.

Nigerian wedding music from Nigerian-American Eldee: Golden Arrow buses, Table Mountain, colonial statues in the company gardens. Is Cape Town the honeymoon spot for cool newlyweds or for shooting music videos on budget? Hey Europeans and Americans do it already.

http://youtu.be/VS4aFoeQG6A

A video preview of Chief Boima collaborator DJ Lamin Fofana’s latest:

http://youtu.be/mY6HNGWHzKE

Finally, some Yoruba soft jazz by Dipo (no not Diplo obviously) with “Be Your Man.” There’s also the freestyle version with Ghanaian vocalist Enya.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.