Azonto Germany

The diverse histories and orientations of African pop, the diaspora, and its international dissemination and the speed with which culture travels now.

Youtube screenshots from the Christmas Azonto battle in Copenhagen.

So apparently there’s more to the Ghana-Germany connection than the Boateng boys. I think the Azonto rave in Hamburg this past January is proof of that. It’s perhaps an illustration of some of the points we were trying to make about diverse histories and orientations of African pop, the diaspora, and its international dissemination. If anything, this is all an illustration of the speed with which culture travels now.

When I went to the Ghana independence day bash in Manhattan a year ago there was none of this Azonto craze. This year, with the group, V.I.P., in the building, I’m sure it’ll be Azonto all over the place.

But back to Europe. It’s not only contained to Hamburg. There was a Christmas Azonto battle in Denmark, and if you look hard it was not only Ghanaians in the building either. I continue to be surprised but excited by such cultural manifestations, and how we’re able to see how global culture is morphing in front of our eyes.

Till, a Hamburg-based DJ friend who represents the So Shifty crew sent me videos, and has done an Azonto mix. I probably would have been surprised that he was so up to the time with a bunch of tracks I knew from clubbing in Accra, Monrovia, and Freetown this summer, but in the context of all this, it definitely makes sense. Tracklist here.

Further Reading

On Safari

On our year-end publishing break, we reflect on how 2024’s contradictions reveal a fractured world grappling with inequality, digital activism, and the blurred lines between action and spectacle.

Rebuilding Algeria’s oceans

Grassroots activists and marine scientists in Algeria are building artificial reefs to restore biodiversity and sustain fishing communities, but scaling up requires more than passion—it needs institutional support and political will.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.