Africa Is a Country

Music Break. Friday Bonus Edition

Africa Is a Country Podcast
African Five-a-Side Podcast

Music Break. Friday Bonus Edition

By
Tom Devriendt

Ploughing through the blog’s archives to come up with a fair selection of ten videos for next week’s year-end lists, I wondered why we haven’t written about the Congolese Salaam Kivu All Stars. Things went well in Goma, Kivu during the elections last week. A year ago, youth and media organization Yole! Africa staged the SKIFF festival in Goma (where they also shot the first video below), and they were planning to do so again this year. ‘Saisir l’Avenir’ means as much as ‘to seize the Future.’

Get ready for a work out. Angolans The Shine and Portugal’s Throes do “kuduru rock”:

Okay, after that workout, we can slow down. Nice 10 minute live set by James Farm, the American “acoustic jazz quartet” consisting of saxophonist Joshua Redman, pianist Aaron Parks, bassist Matt Penman, and drummer Eric Harland. Recorded at The Jazz Standard.

And 18 minutes (also recorded live at The Jazz Standard) of Ambrose Akinmusire and his Orchestra:

http://www.youtube.com/watch?v=TNRqk5WygpM

Finally, we had this one on our Facebook page earlier this week. Tamikrest backstage at a music festival in Switzerland:

Further Reading

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.