Africa Is a Country

Music Break. Friday Bonus Edition

Music Break. Friday Bonus Edition

By
Tom Devriendt

Ploughing through the blog’s archives to come up with a fair selection of ten videos for next week’s year-end lists, I wondered why we haven’t written about the Congolese Salaam Kivu All Stars. Things went well in Goma, Kivu during the elections last week. A year ago, youth and media organization Yole! Africa staged the SKIFF festival in Goma (where they also shot the first video below), and they were planning to do so again this year. ‘Saisir l’Avenir’ means as much as ‘to seize the Future.’

Get ready for a work out. Angolans The Shine and Portugal’s Throes do “kuduru rock”:

Okay, after that workout, we can slow down. Nice 10 minute live set by James Farm, the American “acoustic jazz quartet” consisting of saxophonist Joshua Redman, pianist Aaron Parks, bassist Matt Penman, and drummer Eric Harland. Recorded at The Jazz Standard.

And 18 minutes (also recorded live at The Jazz Standard) of Ambrose Akinmusire and his Orchestra:

http://www.youtube.com/watch?v=TNRqk5WygpM

Finally, we had this one on our Facebook page earlier this week. Tamikrest backstage at a music festival in Switzerland:

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.