A lot of music we like don’t come from Africa. Like this one from Dengue Fever, the California-Cambodia combo: an Indonesian protest song “Gendjer Gendjer.”

… [T]he song was originally written during the Japanese occupation of Indonesia during World World II when food was so scarce that people resorted to eating Gendjer, a weed that grew in rice fields. The song re-surfaced in the 1960s in Indonesia when there was a violent military coup and government crackdown on communists and ordinary citizens–a period of political turmoil dramatized in the movie, “The Year of Living Dangerously.” “Anyone caught listening to or singing ‘Gendjer Gendjer’ was considered an enemy of the government …”

Further Reading

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.

Visiting Ngara

A redevelopment project in Nairobi’s Ngara district promises revival—but raises deeper questions about capital, memory, and who has the right to shape the city.