A lot of music we like don’t come from Africa. Like this one from Dengue Fever, the California-Cambodia combo: an Indonesian protest song “Gendjer Gendjer.”

… [T]he song was originally written during the Japanese occupation of Indonesia during World World II when food was so scarce that people resorted to eating Gendjer, a weed that grew in rice fields. The song re-surfaced in the 1960s in Indonesia when there was a violent military coup and government crackdown on communists and ordinary citizens–a period of political turmoil dramatized in the movie, “The Year of Living Dangerously.” “Anyone caught listening to or singing ‘Gendjer Gendjer’ was considered an enemy of the government …”

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.