Gaddafi’s voluptuous Ukranian nurse

On the usefulness of WikiLeaks and the self-destructive personality of its founder, Julian Assange.

Julian Assange.

Anyone who has done any kind of archival research will know immediately the use of the WikiLeaks cables, and also their limits. Now that the superficial and the obvious are out of the way, the truly interesting material is coming to light; specifics of diplomacy and statecraft in an era where those arts are in decline.

2. For instance, I have an interest in West Africa. Cables that the press outlets have presented in the last few days have given me new insight into efforts to stop the spread of Salafist groups in the Sahara; the influence game of oil majors in Nigeria; how mercenary-piloted Ivorian aircraft bombed the French base in Bouaké, and with what consequences; and how Moussa Dadis Camara was sidelined, clearing the way for elections in Guinea. This level of material is where the substantive value of this information concentrates.

3. Almost nothing that has been said in American political and media circles about WikiLeaks in the last ten days merits dignifying with a comment. Most of it has been factually wrong. Glenn Greenwald, a voice in the wilderness, has been keeping track.

4. Julian Assange is obviously a loose cannon and a narcissist. That should make it all the less surprising to learn that his sexual ethics were challenged. There is a particular form of privilege — white and male privilege — that at once underlies sexual and other forms of behavioral license and gives an agitator the needed room to agitate. The next step is to find ways to keep pushing the envelope against entrenched authority while at the same time treating one another with dignity.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Trump tariffs and US Imperialism

Trump’s April 2025 tariff blitz ignited market chaos and deepened rifts within his own coalition. Beneath the turmoil lies a battle between technocrats, ultranationalists, and anti-imperial populists, all vying to reshape—or destroy—American global power.