Vice recently carried an interesting interview with Miles Claret, whose Soundway Records label re-issues “… lost and forgotten recordings from the world’s most vibrant musical cultures.”  Among other things, Claret recounts a visit to the talented but eccentric Nigerian highlife musician, Sir Victor Uwaifo: “Then he took me into his concrete airplane he had built onto the side of his house. It was exactly like being in a real airplane–there were windows all down the sides. But in the cockpit there was a piano. He just sat in the cockpit and played for me as we sat and drank beer. It wasn’t your ordinary day.”

H/T: Naijablog.

Further Reading

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.