Vice recently carried an interesting interview with Miles Claret, whose Soundway Records label re-issues “… lost and forgotten recordings from the world’s most vibrant musical cultures.”  Among other things, Claret recounts a visit to the talented but eccentric Nigerian highlife musician, Sir Victor Uwaifo: “Then he took me into his concrete airplane he had built onto the side of his house. It was exactly like being in a real airplane–there were windows all down the sides. But in the cockpit there was a piano. He just sat in the cockpit and played for me as we sat and drank beer. It wasn’t your ordinary day.”

H/T: Naijablog.

Further Reading

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.