[youtube=http://www.youtube.com/watch?v=zsG49zXF8xk&w=500&h=307&rel=0]

Driving in Soweto, film maker Dumisani Phakathi reflects on next month’s World Cup:

[The World Cup] is like a wedding … You organize the wedding between you and your partner. The event is amazing, the photographs get taken. Everybody remembers the day. But the trick is about what happens after. What do you carry with from that day of the wedding into your life with your partner? Because if you don’t, that was just for show, the wedding just a spectacle. We can’t afford for this World Cup to be a spectacle.

Phakathi also talks about the connections between the 1970s American professional soccer league and professional football in South Africa:

[youtube=http://www.youtube.com/watch?v=X-QOxgRGWMQ&w=500&h=307&rel=0]

Via ThisIsAmericanSoccer (h/t Chimurenga.co.za)

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.