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The year that Prince Akeem, Queen Aoleon, King Jaffe Joffer and the "African" Kingdom of Zamunda made a spectacular comeback.

Twitter.

For all the serious stuff we wrote or filmed about, tweeted or Facebooked this year, this was undoubtedly the year that Prince Akeem, Queen Aoleon, King Jaffe Joffer and the “African” Kingdom of Zamunda made a spectacular comeback. Whether it was Snoop Dogg’s wife throwing a “Coming to Africa” birthday party for their son (TMZ has the video evidence), rapper Jidenna (!) throwing his “Nigerian Renaissance Ball,” Action Bronson reprising the whole film as a music video (Chance the Rapper played the Cuba Gooding Jnr. role) and, most notably, the Knowles-Carters borrowing not once–but twice–first in May (we couldn’t help noticing their inspiration) or at Halloween (above), everyone seemed to be in on Eddie Murphy and John Landis’s 1988 send-up of African stereotypes.

Well, not everyone seemed to be in the joke: For example, Kandi from TV’s Real Housewives of Atlanta recreated scenes from Coming to America, including rose petals and real lions, for her wedding: “I wanted to do something inspired by Africa,” she said. Nevertheless, the upshot of all of this is that it is so 1988 to go after bad Western media representations of Africa and Africans. We dispense with that on Twitter. There are more important things going on. Of course, someone is probably planning to write a blog post (calling out celebrities who can’t find Zamunda on a map) or a dense academic paper (quoting Baudrillard or Stuart Hall) about what Zamunda stands for or to decipher Randy Watson’s homilies. While they figure that out (we’re onto something else in the meantime, just check the Archive), I’ll take the opportunity to say thank you to everyone who worked on AIAC this year and for staying the course. We’re exhausted. So, we’ll be on a break from tomorrow till January 13th. Here’s to 2016.

Further Reading

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.

After the coups

Without institutional foundations or credible partners, the Alliance of Sahel States risks becoming the latest failed experiment in regional integration.