Vampire teeth

Annual review: Hipsters Don't Dance's "Top 10 African-Caribbean Collaborations" of 2014

Markus Spiske, via Unsplash.

2014 was a year when our musical worlds began to collide and we saw an increase in African artists working with artists from the Caribbean. This is a really big development as some DJs have seen similarities between the musical styles for some time, now artists are jumping on board and helping the sound to develop and grow. Although we still can’t figure out the government endorsed cultural link between Trinidad and Nigeria (Calabar in particular.) We have seen a sudden explosion of these 2 cultures colliding, with the most successful collaboration being Timaya and Machel Montano’s Shake Yuh Bum Bum. Similar artists teaming up together created something magical and we hope that they do it again. M.I. featured Jamiaca’s Beenie Man on his LP and Samini had Popcaan on a single as well. Busy Signal lead the way merging dancehall and afropop with his versions of P Square’s Personally and Mafikizolo’s Khona. We are glad that these artists are working together, not only does it broaden their appeal but selfishly it provides us with more ammunition for the clubs! Here are our top picks for 2014:

Timaya feat Machel Montano – Shake Yuh Bum Bum (Official Soca Remix)

P-Square feat Sizwe – Alingo (Victorious Remix)

2face Idibia feat Machel Montano – Go

M.I feat Emmy Ace and Beenie Man – Wheelbarrow

Samini feat Popcaan – Violate

Ding Dong – Ginja

Kalado – Personally

Busy Signal – Professionally

Busy Signal – Bou-Yah (Vampire Teeth)

Fuse O.D.G. feat Sean Paul – Dangerous Love

Further Reading

The sun shows the way

Rashid Vally, the visionary behind South Africa’s iconic jazz label As-Shams, forged a legacy of revolutionary jazz that defied apartheid and continues to inspire new generations of musicians, activists, and music lovers.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.

Drawing the line

How Sudanese political satirist Khalid Albaih uses his art and writing to confront injustice, challenge authority, and highlight the struggles of marginalized communities worldwide.