We kick off our weekly installment of new music videos with OttawaParis-based Mélissa Laveaux riding the crunchy electronics with flair on her new offering, ‘Triggers’, in a video directed by Terence Nance — remember also this other video he shot for her earlier this year:

Some trippy and transcendental downtempo music from YellowStraps (that’s Yvan Murenzi, Alban Murenzi, Ludovic Petermann and Thomas Delire) alongside Moodprint:

A boom-bap retrospective from Soular Razye, the Zimbabwean duo comprised of Depth and Synik. They’re working on a soon-to-be-released EP:

Eighties-style fashion and joyous dance styles adorn this video from Uganda’s Fantom Lovins:

http://www.youtube.com/watch?v=rKv-vCAMUoc

Life suddenly makes sense when this song by Kalawa Jazmee’s Uhuru plays in the club. Oskido, who makes a cameo, is celebrating his birthday today. Bless up!

Still in South Africa, new work by Zola:

A catchy Bob Marley make-over from Senegal. Visuals courtesy of the illustrious Lionel Mendeix.

Robert Del Naja from Massive Attack collides with Congolese musician Jupiter on this subterranean robotic banger. The pair met on the Afrika Express adventure in 2012.

A visual and musical collaboration between dj Khalab and Malian talking drum master Baba Sissoko:

And to round it all off, a bit of kuduro never hurt anyone:

http://www.youtube.com/watch?v=RTfBFb2Dc1s

Further Reading

Empire’s middlemen

From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.

À qui s’adresse la CAN ?

Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters.

Lions in the rain

The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together.