Africa Is a Country

Africa 3.0

Africa Is a Country Podcast
African Five-a-Side Podcast

Africa 3.0

By
Tom Devriendt

Another month, another special Africa issue. This one is by French weekly newspaper Courrier International (part of Le Monde group), edited by Isabelle Lauze and Ousmane Ndiaye. Many of the articles have appeared elsewhere but are published here for the first time in French. Features and profiles include those on Congolese photographer Kiripi Katembo, Angola’s “indignados”, Senegalese collective Y’en A Marre, Nigerian Nollywood, Ghanaian journo Anas Aremeyaw Anas, Ethiopian entrepreneur Bethlehem Tilahun Alemu, a very short introduction to Francophone Hip-Hop, etc. Full table of contents here. The cover photo is lifted from Omar Victor Diop’s 2012 series “The Studio of Vanities”. It’s not clear why they decided to focus only on Sub-Saharan Africa. That said, they’ve used excellent sources.

Further Reading

After the coups

Without institutional foundations or credible partners, the Alliance of Sahelian States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.

Sovereignty or supremacy?

As far-right politics gain traction across the globe, some South Africans are embracing Trumpism not out of policy conviction but out of a deeper, more troubling identification.

From Cape To Cairo

When two Africans—one from the south, the other from the north—set out to cross the continent, they raised the question: how easy is it for an African to move in their own land?

The road to Rafah

The ‘Sumud’ convoy from Tunis to Gaza is reviving the radical promise of pan-African solidarity and reclaiming an anticolonial tactic lost to history.

Sinners and ancestors

Ryan Coogler’s latest film is more than a vampire fable—it’s a bridge between Black American history and African audiences hungry for connection, investment, and storytelling rooted in shared struggle.