Africa Is a Country

Friday Bonus Music Break, N°7

Friday Bonus Music Break, N°7

By
Tom Devriendt

Nowadays we’re doing multiple #musicbreaks on Twitter and Facebook when the spirits move us. We figured we’d put the ten favorite ones up every Friday as our #BonusMusicBreak. First up, old school jazz man Pharoah Sanders is still doing it. Here’s a video (uploaded this week on Youtube; recorded last year) of him and his band playing (and him getting down):

http://www.youtube.com/watch?v=1N3kd5NAWeM

Since we’re on the old schoolers. Here’s the video for Ebo Taylor’s ‘Ayesama’, shot in his hometown of Saltpond (Ghana):

I really like Lee Fields. You’re The Kind of Girl:

Zimbabwe celebrated its independence this week. Here’s Tendai, one half of Shabazz Palaces with “rhodZi” (the video is directed by Seattle-based filmmaker and critic Charles Mudede):

California-based Ethiopian artists Meklit Hadero, Gabriel Teodros and Burntface combine to form CopperWire (H/T: siddhmi):

‘Bang Bang’ by one of Sean’s New School students, Selena Dhillon (originally from Toronto) featuring Humble The Poet:

THEESatisfaction’s “funk-psychedelic feminista sci-fi epics”:

Nicki Minaj is selling ice water in Accra? Zongo!

http://youtu.be/Zk9_FcuX4Jk

Boima: “Yup, I’m a fan.” PR: “Sierra Leone’s Premier Rap Guy From Freetown Releases His Long Awaited Video Featuring Farda G. Shot Entirely On Location In Freetown The Vid Promises To Be Raw, Grity & Strictly Hip-Hop”:

Finally, kuduro baile from Germany; Gato Preto’s ‘Tschukudu’ (H/T: TropicalBass):

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.