Let’s do a Friday Diaspora edition. There are some half-baked attempts at linking the videos in here. But don’t take them too seriously. French-Congolese Youssoupha on living in France in ‘Irréversible’ (he couldn’t not refer to the charges laid against him):

Also residing in Paris these days is Togo’s YaoBobby. His ‘Afrique Enchantée’ comes with French lyrics:

The use of split-screen faces in music videos, in vogue in the diaspora and possibly with a second meaning, we also found in the video for ‘The Village’by Trinidad-Canadian Ian Kamau (he has a great music blog and we featured him here before):

Somali-Canadian K’naan (remember his World Cup days?) got a lyric video out for ‘Nothing to Lose’, a collab with Nas (what’s the latest news on Nas’s promoters in Angola and what’s up with his “Yo my Somali niggas know what war be”?):

Finally, UK-based Nigerian eL Flaco does a rap job a bit different from K’naan and Nas. His ‘Mind Move’ comes off last year’s Samurai Series:

Further Reading

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.