Let’s do a Friday Diaspora edition. There are some half-baked attempts at linking the videos in here. But don’t take them too seriously. French-Congolese Youssoupha on living in France in ‘Irréversible’ (he couldn’t not refer to the charges laid against him):

Also residing in Paris these days is Togo’s YaoBobby. His ‘Afrique Enchantée’ comes with French lyrics:

The use of split-screen faces in music videos, in vogue in the diaspora and possibly with a second meaning, we also found in the video for ‘The Village’by Trinidad-Canadian Ian Kamau (he has a great music blog and we featured him here before):

Somali-Canadian K’naan (remember his World Cup days?) got a lyric video out for ‘Nothing to Lose’, a collab with Nas (what’s the latest news on Nas’s promoters in Angola and what’s up with his “Yo my Somali niggas know what war be”?):

Finally, UK-based Nigerian eL Flaco does a rap job a bit different from K’naan and Nas. His ‘Mind Move’ comes off last year’s Samurai Series:

Further Reading

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.