This list is partly self-indulgent. It is also a way–hopefully weekly–for me to keep an online record of films I still would like to see. Here’s a few.

First up, Lotte Stoofs’s documentary film about the life of a landmark hotel in Beira, Mozambique:

“Swahili Fighting Words,” a feature documentary about a Tanzanian filmmaker’s search for his family roots:

“The Encounter,” a short about “a young white woman on a search for inner peace, [who] gets stuck in an elevator with an older African man”:

http://www.youtube.com/watch?v=DCkWB5Vc7_k

Then there’s “Umkhungo,” a short film by a Johannesburg director that weds Hollywood and popular South African beliefs about the supernatural:

There seems to be a few films with themes on gay beauty competitions in Cape Town. We’ve blogged here about “Glitterboys and Ganglands.” Now there’s “Sisterhood,” a film about 3 farmworkers who dream of acceptance and winning a local drag competition.

The documentary “Blood in the Mobile”:

Director Franck Piasecki Poulsen embarks on a personal mission to uncover the origin of the minerals in his Nokia cell phone. Navigating the bureaucracy, corruption, and dangers of eastern Congo, he arrives at Bisie, one of the largest and most notorious illegal mines in the region, where armed groups maintain tight control and inhumane conditions, and child labor runs rampant. Determined to know if his cell phone is funding conflict in Congo, Poulsen works his way into Nokia’s corporate offices, where he confronts executives about their mineral supply chain.

Here’s the trailer:

Tom hasn’t yet seen the film “Blue Bird,” by Belgian director Gust van den Berghe, about “two African children” who leave “their village” to find their lost blue bird. Yes the bird is literally black. I think it is supposed to be a fable or a fairy tale:

[youtube http://www.youtube.com/watch?v=RK7qRw_qe6g&w=560&h=315]

Finally, some short films in their entirety. (These I have watched):

I like the 3 shorts on cultural producers from the DRC made by Cultural Resistance. First up, “Thembo Kash: Cartooning for Justice,” a 5 minute film about a political cartoonist. Sample opinion: “I’ve drawn Congo as a cake. People are helping themselves, but the Congolese don’t benefit from it”:

Then there’s a film about rapper Lexxus Legal, “a long-time veteran of the hip-hop scene in the DRC”:

Finally, there’s a film about the legendary Papa Wemba (he’s been singing since 1969) talking about his music and politics in the DRC:

Further Reading

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.

After the uprising

Following two years of mass protest, Kenya stands at a crossroads. A new generation of organizers is confronting an old question: how do you turn revolt into lasting change? Sungu Oyoo joins the AIAC podcast to discuss the vision of Kenya’s radical left.

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.