[youtube=http://www.youtube.com/watch?v=A8Q10g_Mov4&w=600&h=349]

From an episode of American comedian Drew Carey’s sketch comedy show, “Whose Line is it Anyway.” In the video from the show, Carey introduces a regular feature, “African Chant” (the sketch involves the actors making up “an African chant” based on the name of an audience member. Some of you may recognize Wayne Brady in the clip.)

Carey inadvertently blurts out that Africa “is a big country.”

The edited clip (above) highlights how throughout the rest of the episode cast member Greg basically reminds Carey of his gaffe. Carey gets him back by the show’s end.

Here are two more instances of the “African chant” from the show: examples one and two.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.