Who is Leymah Gbowee

Gbowee, an activist, is one of three Liberian women to jointly be awarded the Nobel Peace Prize in 2011. Most Western media, though, didn't do right by her.

I once heard the photographer Harry Mattison discuss the difficulty, the near impossibility, of photographing peace. For Mattison, an award winning photographer of conflict, this was an epiphany. Peace is difficult, representing peace is near impossible.

The Nobel Prize Committee today awarded the Peace Prize to three women, Ellen Johnson Sirleaf, of Liberia; Leymah Gbowee, from Liberia and currently based in Ghana; and Tawakul Karman, of Yemen. First, congratulations to all (although the wisdom of giving the unpopular Johnson Sirleaf such an award as she battles re-election is questioned back in Liberia), and thanks to the Nobel Committee for not repeating the mistakes of recent Peace Prize recipients (Barack Obama, the proponent of “just war”, for example). Thanks to the Nobel Committee for increasing the pool of living women Nobel Peace Prize winners by a whopping 50%. Where there were six, now there are nine. Good news, hopefully, for the Nobel Women’s Initiative and the world. (Since its inception, in 1901, only 15 women have won the Peace Prize.)

The New York Times coverage of the announcement, and its implications, suggests the truth of Mattison’s epiphany. The Times devotes 33 paragraphs to the news, a substantial article. Johnson Sirleaf gets eleven paragraphs, large chunks early on and then again at the end. Karman receives five paragraphs, which begin about a third of the way into the piece. Gbowee receives a scant three paragraphs, and they don’t show up until the 24th paragraph. You have to want to read the whole article to find out who Leymah Gbowee is.

Leymah Gbowee is a “militant pacifist”, a “peace activist”, and a real mover and shaker. She is a woman who recognized that women had to organize, across all barriers and across all divisions, that women had to transform themselves and one another if they wanted to change the world. They had to learn to participate in peace negotiations, for example, by refusing the symbolic chairs and other morsels offered them, by confronting the materiel of war and violence with the human force of peace, compassion, and love. When the Big Men of Liberia met in Accra to negotiate “peace”, Gbowee and her sisters in white t-shirts raised a ruckus outside, and just about held the delegates hostage.

From the outset, Leymah Gbowee identified humanity as the site of her struggles and organizing. That means organizing structures, such as the Women of Liberia Mass Action for Peace, followed by the Women In Peacebuilding Network, or WIPNET. From there, she has gone on to organize the Women Peace and Security Network Africa, based in Ghana. Gbowee’s vision of women is African, from Cape to Cairo, and from coast to coast.

Peace and justice, child by child, person by person, space by space, and beyond. That’s what Leymah Gbowee has been organizing. That’s what is so difficult, if not impossible, to represent. That’s what The New York Times missed. But you don’t have to. On Tuesday, October 18, in the United States, PBS will broadcast the documentary, Pray the Devil Back to Hell, about the work of Leymah Gbowee. Don’t miss it. It’s inspiring, as is its subject.

Further Reading

The sun shows the way

Rashid Vally, the visionary behind South Africa’s iconic jazz label As-Shams, forged a legacy of revolutionary jazz that defied apartheid and continues to inspire new generations of musicians, activists, and music lovers.

Ibaaku’s space race

Through Afro-futurist soundscapes blending tradition and innovation, Ibaaku’s new album, ‘Joola Jazz,’ reshapes Dakar’s cultural rhythm and challenges the legacy of Négritude.

An allegiance to abusers

This weekend, Chris Brown will perform two sold-out concerts in South Africa. His relationship to the country reveals the twisted dynamic between a black American artist with a track record of violence and a country happy to receive him.

Shell’s exit scam

Shell’s so-called divestment from Nigeria’s Niger Delta is a calculated move to evade accountability, leaving behind both environmental and economic devastation.

Africa’s sibling rivalry

Nigeria and South Africa have a fraught relationship marked by xenophobia, economic competition, and cultural exchange. The Nigerian Scam are joined by Khanya Mtshali to discuss the dynamics shaping these tensions on the AIAC podcast.

The price of power

Ghana’s election has brought another handover between the country’s two main parties. Yet behind the scenes lies a flawed system where wealth can buy political office.

Beats of defiance

From the streets of Khartoum to exile abroad, Sudanese hip-hop artists have turned music into a powerful tool for protest, resilience, and the preservation of collective memory.

Drawing the line

How Sudanese political satirist Khalid Albaih uses his art and writing to confront injustice, challenge authority, and highlight the struggles of marginalized communities worldwide.