The Johannesburg filmmaker Cedric Sundstrom has been working on a documentary film on the history of cinema in South Africa.  The South African-based movie review show “The Admiral and Akin” has put the trailer of Sundstrom’s film online. (That’s it above.) They also interviewed him on the show. You can only see the the episode trailer on Youtube.*

Anyway, I would love to see Sundstrom’s finished film. In Darkest Hollywood,” which came out in 1994 already.

Here‘s a link to an earlier three-part print interview with Sundstrom by the Gauteng Film Board about the broad outlines of that film history.  We notice that cinema/film in South Africa’s earlier roots mimicks American and British cinema (segregated screens, Westerns dominated, etcetera; an American emigrant played a central role in developing a studio system in South Africa), that the industry focused exclusively on the lives of whites–“Boers and Brits”–in the first half of the 20th century, that Afrikaner cinema (heavily state-subsidized dominated after World War II), the emergence of anti-apartheid films in the mid-1960s alongside ethnic comedies and slapstick films, and finally the turn to Hollywood after Apartheid.

* On a sidenote, I have suggested the Admiral and Akin put the episodes of their show online as soon as it done broadcasting them on African satellite TV.  Mainly for the the benefits of those living outside the continent. But even more since the show seems to be the only place where for example, director Zola Maseko would recently make this kind of public statement: “South Africa’s film industry remains the last bastion of white supremacy.”

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.