The writer Teju Cole (remember him from the Africa’s World Cup panel at The New School and his excellent, short novella about Lagos, “Every Day for the Thief“) was recently featured in The New York Times’ T Magazine in a short feature on new “first time novelists.”

Teju Cole, 35
‘‘Open City’’ (Random House, $25)
The book: A hypersensitive Nigerian-German psychiatry resident sizes up the emotional cityscape of post-9/11 New York.
The back story: Cole is American by birth but grew up in Nigeria. His first published work — a cartoon — appeared in a magazine in Lagos when he was 15. Since then he’s been a medical student, an art history professor (Netherlandish and African), a photographer, a gardener and a dishwasher. ‘‘I still do a lot of dishwashing,’’ he says. ‘‘But not in an official capacity.’’

“Open City” is also getting a lot of pre-publication high praise.

The writer Colm Toibin is moved:

Open City is a meditation on history and culture, identity and solitude. The soft, exquisite rhythms of its prose, the display of sensibility, the lucid intelligence, make it a novel to savour and treasure.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.