More than a year later these lines–written by journalist Eamon Kircher-Allen as part of the reaction to Mahmood Mamdani’s “Saviors and Survivors,” a study of Darfur Now’s campaigns and the complex history of the Darfur conflict–is still worth repeating:

As an eighth-grader learning about American slavery, I had a fantasy. I imagined that some elite Marines and I could outfit ourselves in the latest combat gear and travel back in time to the year 1820. Once we arrived in the heart of the slavery era, we’d storm the plantations with superior weaponry and free the slaves. Problem solved. It would be awesome, and I’d be a hero.

Of course, as I learned in later study, the abolition of one of history’s most monstrous atrocities was not such a simple matter. Dismantling slavery meant the splitting of a nation, a civil war that sacrificed 600,000 lives, and a burning of the South that – while possibly justified – entailed extreme and morally repugnant violence. And of course, war was only part of the solution. There were the complex political negotiations, the recalibration of society that, 150 years later, is still incomplete.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.