The First Black Woman to win Sundance Best Director

Aava DuVernay leads a movement to organize African-American film festivals and secure theatrical releases for black independent films.

A still from Ava DuVernay's "Middle of Nowhere."

I used to run an annual post mocking Sundance’s offering of Africa-themed films or films by directors of African descent. (I didn’t bother last year, but here’s 2010’s version complete with a good dose of indignation.) It’s gotten slightly better, but Sundance still comes with the usual offerings of pirates, mostly films by Westerners (not a bad thing in itself, if they’re made well and with good stories) or about Westerners finding themselves or saving Africans. Anyway, there’s some news to celebrate from this year’s festival: the first woman director of African descent has won the award for Best Director for Dramatic Film at the festival. She is Ava DuVernay, director of the drama “Middle of Nowhere,” a film about a woman whose husband is incarcerated. See above for an interview with DuVernay on Sundance’s Youtube channel:

DuVernay is the right choice.

I saw DuVernay’s debut feature film, “I will follow,” a beautifully filmed, languid contemplation on death and family, at a New School film conference last year.  DuVernay is also a leading figure in a movement to organize African-American film festivals and orchestrate theatrical releases for black independent films, usually  neglected by mainstream advertising and theaters. Maybe things will get better for black women filmmakers in the U.S. now. Congratulations to her. Here‘s a video interview at Sundance 2012 with DuVernay about “Middle of Nowhere.”

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.

Bread or Messi?

Angola’s golden jubilee culminated in a multimillion-dollar match against Argentina. The price tag—and the secrecy around it—divided a nation already grappling with inequality.