
Making space for the ordinary
MADEYOULOOK’s ‘Dinokana’ debuted at the 2024 Venice Biennale. Now back home, Molemo Moiloa and Nare Mokgotho reflect on sound, place, and why their work is always meant for South African audiences first.
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Laura Burocco is a researcher and critic based at the Centre for Research in Anthropology CRIA-ISCTE in Lisbon, and visiting scholar at the Center for Education Right and Transformation at the University of Johannesburg CERT-UJ.
MADEYOULOOK’s ‘Dinokana’ debuted at the 2024 Venice Biennale. Now back home, Molemo Moiloa and Nare Mokgotho reflect on sound, place, and why their work is always meant for South African audiences first.
A landmark documentary uncovers the radical soul scene that electrified 1970s Rio, inspired Black consciousness, and terrified Brazil’s military dictatorship.
Um documentário marcante revela a cena soul radical que eletrificou o Rio dos anos 1970, inspirou a consciência negra e aterrorizou a ditadura militar brasileira.
The theme for this year’s Venice Biennale, the ‘olympics of the art world’ is ‘Foreigners Everywhere.’ But beyond representation, what are the barriers to participation?
At the world’s most prestigious art exhibition, all is not well when it comes to relative newcomers from the African continent.