Africa Is a Country

Giving the Bizness

Giving the Bizness

By
Tom Devriendt

This is our third Music Break post. It is curated by anthropologist Tom DeVriendt, who may just take a liking to keep doing them.

Merril Garbus of tUnE-yArDs performs in Paris this year (Wiki Commons).

Merril Garbus of tUnE-yArDs cite Barrington Levy, Odetta, Woody Guthrie, Eleanor Roosevelt, Charlie Chaplin, Ruth Garbus, Bertolt Brecht, Björk, Todd Rundgren, Fela Kuti and “you” as their influences. Here the band performs their original composition, “Bizness,” live for a public radio station in New York City.

Tanya Auclair (from West London, “via Canada and Rwanda” and citing as her influences Bongo Joe Coleman, Juana Molina, The Staple Singers, Laurie Anderson, Matthew Herbert and E.S.G, sings and plays ‘Origami’.

A still from a video of Tanya Auclair performing her song, “Origami,” live (via Vimeo).

Trust Shabazz Palaces and Kahlil Joseph to do it again on “Black Up.”

While we’re in South Africa, I’m feeling this guitar band from Cape Town: MacGyver Knife. And their new song. While we’re on it, there aren’t that many corners in Woodstock left where bands or advertising companies can shoot a music video, spray a graffiti or do a photo shoot.

And to end, a new video by School is Cool arrives one year early.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.