“Skoonheid,” the new film by South African director Oliver Hermanus will be screened in the Un Certain Regard section of this year’s edition of the Cannes Film Festival (starting next month). He is in good company. Check the Cannes site to see who else got invited.

The film is also the first Afrikaans film to be included in Cannes Film Festival’s official program. The film–the title translates as “Beauty”– “… tells the story of Francois van Heerden, a mid-40s, white, Afrikaans-speaking family man living in Bloemfontein, who has become devoid of any care or concern for his own measure of happiness, and so convinced of his ill-fated existence, that he is wholly unprepared when a chance encounter unravels his clean, controlled life.”

I like the film language of Hermanus (he studied film at the University of Cape Town, UC Santa Barbara and the London Film School), so I’m looking forward to seeing it whenever. Hermanus’ debut film, “Shirley Adams,” which I saw at the New York African Film Festival last year, a claustrophobic film about the desperate lives of a working class woman and her disabled son, is definitely worth a look.

Sources: Film Contact, Festival du Cannes, Screen Daily

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.

Biya forever

As Cameroon nears its presidential elections, a disintegrated opposition paves the way for the world’s oldest leader to claim a fresh mandate.

From Cornell to conscience

Hounded out of the United States for his pro-Palestine activism, Momodou Taal insists that the struggle is global, drawing strength from Malcolm X, faith, and solidarity across borders.