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The year that Prince Akeem, Queen Aoleon, King Jaffe Joffer and the "African" Kingdom of Zamunda made a spectacular comeback.

Twitter.

For all the serious stuff we wrote or filmed about, tweeted or Facebooked this year, this was undoubtedly the year that Prince Akeem, Queen Aoleon, King Jaffe Joffer and the “African” Kingdom of Zamunda made a spectacular comeback. Whether it was Snoop Dogg’s wife throwing a “Coming to Africa” birthday party for their son (TMZ has the video evidence), rapper Jidenna (!) throwing his “Nigerian Renaissance Ball,” Action Bronson reprising the whole film as a music video (Chance the Rapper played the Cuba Gooding Jnr. role) and, most notably, the Knowles-Carters borrowing not once–but twice–first in May (we couldn’t help noticing their inspiration) or at Halloween (above), everyone seemed to be in on Eddie Murphy and John Landis’s 1988 send-up of African stereotypes.

Well, not everyone seemed to be in the joke: For example, Kandi from TV’s Real Housewives of Atlanta recreated scenes from Coming to America, including rose petals and real lions, for her wedding: “I wanted to do something inspired by Africa,” she said. Nevertheless, the upshot of all of this is that it is so 1988 to go after bad Western media representations of Africa and Africans. We dispense with that on Twitter. There are more important things going on. Of course, someone is probably planning to write a blog post (calling out celebrities who can’t find Zamunda on a map) or a dense academic paper (quoting Baudrillard or Stuart Hall) about what Zamunda stands for or to decipher Randy Watson’s homilies. While they figure that out (we’re onto something else in the meantime, just check the Archive), I’ll take the opportunity to say thank you to everyone who worked on AIAC this year and for staying the course. We’re exhausted. So, we’ll be on a break from tomorrow till January 13th. Here’s to 2016.

Further Reading

A power crisis

Andre De Ruyter, the former CEO of Eskom, has presented himself as a simple hero trying to save South Africa’s struggling power utility against corrupt forces. But this racially charged narrative is ultimately self-serving.

Cinematic universality

Fatou Cissé’s directorial debut meditates on the uncertain fate and importance of Malian cinema amidst the growing dismissiveness towards the humanities across the world.

The meanings of Heath Streak

Zimbabwean cricketing legend Heath Streak’s career mirrors many of the unresolved tensions of race and class in Zimbabwe. Yet few white Zimbabwean sporting figures are able to stir interest and conversation across the nation’s many divides.

Victorious

After winning Italy’s Serie A with Napoli, Victor Osimhen has cemented his claim to being Africa’s biggest footballing icon. But is the trend of individual stardom good for sports and politics?

The magic man

Chris Blackwell’s long-awaited autobiography shows him as a romantic rogue; a risk taker whose life compass has been an open mind and gift to hear and see slightly into the future.

How to think about colonialism

Contemporary approaches to the legacy of colonialism tend to narrowly emphasize political agency as the solution to Africa’s problems. But agency is configured through historically particular relations of which we are not sole authors.

More than just a flag

South Africa’s apartheid flag has been declared hate speech by a top court. But while courts are important and their judgments matter, racism is a long and internationally entrenched social phenomenon that cannot be undone via judicial processes.

Resistance is a continuous endeavor

For more than 75 years, Palestinians have organized for a liberated future. Today, as resistance against Israeli apartheid intensifies, unity and revolutionary optimism has become the main infrastructure of struggle.

Paradise forgotten

While there is much to mourn about the passing of legendary American singer and actor Harry Belafonte, we should hold a place for his bold statement-album against apartheid South Africa.