10 African films to watch out for, N°14

Documentary filmmakers are better at spreading the word about their new work on the web compared to fiction directors, or there’s just more documentary films being made. (Or I’m looking in the wrong places.) Here are ten more films to watch out for. First, four fiction features: A Menina dos Olhos Grandes (“The girl with the big eyes”) is based on a popular story from Cape Verde: a “creole girl” returns from Europe to her homeland due to the sudden death of her father where she will come up against an unfamiliar reality and ghosts of her past. Trailer above. (Also check this older trailer to get another feel of the film.)

Tourbillon à Bamako (“Swirl in Bamako”).

Synopsis:

A wild chase in search of a lottery ticket through the streets of Bamako.

Film Details:

  • Country: Mali
  • Director: Dominique Philippe
  • Production: Babel Films
  • Cast: Chek Oumar Sidibé, Mama Koné, Fatoumata Coulibaly

The film’s Facebook page has a trailer.


A Lovers Call is a short film by Najma Nuriddin about Aasim, a young single Muslim man living in Washington DC who falls for a poet named Kala. The film is filed in the portfolio of Nsoroma Films, a US-based production house “of the African diaspora … dedicated to telling organic stories.” Here’s a trailer:

Elelwani is a new film by South African director Ntshavheni wa Luruli (whose film The Wooden Camera was awarded the Crystal Bear for Best Youth Feature at the Berlinale in 2004). Selling-line: “the world’s first Venda film”:

And six documentaries (made/in-the-making):

The Engagement Party in Harare is a 35mins documentary film by British/Polish filmmaker Agnieszka Piotrowska “about post-colonial identities at the Harare International Festival of the Arts in Zimbabwe.” The film features the HIFA organizers as well as Zimbabwean artists such as Raphael Chikukwa (photo left) and Tsitsi Dangaremba. No trailer yet.


Rwagasore: Life, Struggle, Hope is a film by directors Justine Bitagoye and Pascal Capitolin and producer Johan Deflander about Burundi’s struggle hero Prince Louis Rwagasore who became the country’s first Prime Minister, and was murdered a few days after the formation of his government, on October 13, 1961. According to the film’s website “the film [was] shown during the [2012] cinquentenaire festivities on July 1st at the Burundi embassy in Moscow. This mainly for the Burundese diaspora in Russia.”

Here’s a first trailer for I Sing the Desert Electric, a short film about electronic based musical phenomena occurring from Mauritania to Northern Nigeria. Cue sahelsounds:

Underground/On the Surface revolves around a new underground musical genre known as Mahraganat Shaabi which despite being rejected by the mainstream has become very popular with the youth in the streets of Cairo:

(Related: don’t miss Afropop Worldwide’s recent feature on Cairo’s musical “underground”.)

Mother of the Unborn is Nadine Salib’s first feature length documentary and looks at the challenges faced by Egyptian women unable to conceive, and subsequently face rejection by their families and stigmatization by their communities. The film tells stories of several childless women who navigate their world of rural Egyptian myths, legends, habits and traditions surrounding childbearing and infertility:



And in 1962: De l’Algérie française à l’Algérie algérienne (“From French Algeria to Algerian Algeria”) Malek Bensmaïl and Marie Colonna revisit French and Algerians’ moods and expectations during the seven weeks that separated the official France-Algeria cease-fire on March 19, 1962 from the first elections for the National Algerian Assembly. The film’s website has a trailer.

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.