Rounding up some music videos we’ve been tweeting over the past weeks, this is your Friday Music Break. Produced by the hardest working rapper in Kinshasa, Lexxus (that’s him in the video, scouting for new talent in Kinshasa’s streets), ‘Bo tia K’ is the first outtake from Bawuta Kin’s upcoming album Ba Wu. Great video too:

Next, smooth Kenyan rap from Muthoni The Drummer Queen in ‘Feelin’ it’

London duo The Busy Twist recorded this music video in Accra:

‘Bravo Papa’ (now with English subtitles) makes us look forward to South African artist Jaak’s Galant album:

Aline Frazão plays an accoustic version of ‘Cacimbo’ (that’s Angola’s dry season):

After a long hiatus, South African TKZee artist Tokollo Tshabalala “Magesh” has recorded new kwaito tunes:

Gorgeous Sudanese a capella by Alsarah and her sister Nahid:

I haven’t counted the times ‘Africa’ gets mentioned in this mishmash video for Madlib’s ‘Hunting Theme’ and ‘Yafeu’ (both taken off his 3rd Medicine Show), but it’s a lot.

Maryland’s Kendall Elijah belatedly got a video out for his track ‘The Wild’ (from last year):

http://www.youtube.com/watch?v=dBQUzdQN51

And finally, Donal Scannell created this music video for Sahrawi singer Aziza Brahim’s ‘The Earth Sheds Tears’ in which she remembers those who fought to liberate those parts of the Western Sahara which remain outside of Moroccan control. Aziza Brahim resides in Spain these days:

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.

Atayese

Honored in Yorubaland as “one who repairs the world,” Jesse Jackson’s life bridged civil rights, pan-Africanism, empire, and contradiction—leaving behind a legacy as expansive as it was imperfect.