Alain Mabanckou’s 2009 novel Black Bazar spoke successfully to and about the African diaspora in France, their daily hustle, fashion, style and language. All through the eyes of the Congolese migrant nicknamed ‘Fessologue’, sapeur and pub philosopher, and arguably the author’s alter ego. As a follow-up to the novel, Mabanckou now has produced an ambitious music album (“trying to change the way in which African music is perceived,” he says) with Congolese musicians Modogo Abarambwa and Sam Tshintu. Other contributing artists come from Cuba, Colombia, Cameroon, the DRC, Congo-Brazzaville and Senegal. The above music video shows us what to expect (and Mabanckou gets his cameo).

Further Reading

Not exactly at arm’s length

Despite South Africa’s ban on arms exports to Israel and its condemnation of Israel’s actions in Palestine, local arms companies continue to send weapons to Israel’s allies and its major arms suppliers.

Ruto’s Kenya

Since June’s anti-finance bill protests, dozens of people remain unaccounted for—a stark reminder of the Kenyan state’s long history of abductions and assassinations.

Between Harlem and home

African postcolonial cinema serves as a mirror, revealing the limits of escape—whether through migration or personal defiance—and exposing the tensions between dreams and reality.

The real Rwanda

The world is slowly opening its eyes to how Paul Kagame’s regime abuses human rights, suppresses dissent, and exploits neighboring countries.

In the shadow of Mondlane

After a historic election and on the eve of celebrating fifty years of independence, Mozambicans need to ask whether the values, symbols, and institutions created to give shape to “national unity” are still legitimate today.

À sombra de Mondlane

Depois de uma eleição histórica e em vésperas de celebrar os 50 anos de independência, os moçambicanos precisam de perguntar se os valores, símbolos e instituições criados para dar forma à “unidade nacional” ainda são legítimos hoje.