Alain Mabanckou’s 2009 novel Black Bazar spoke successfully to and about the African diaspora in France, their daily hustle, fashion, style and language. All through the eyes of the Congolese migrant nicknamed ‘Fessologue’, sapeur and pub philosopher, and arguably the author’s alter ego. As a follow-up to the novel, Mabanckou now has produced an ambitious music album (“trying to change the way in which African music is perceived,” he says) with Congolese musicians Modogo Abarambwa and Sam Tshintu. Other contributing artists come from Cuba, Colombia, Cameroon, the DRC, Congo-Brazzaville and Senegal. The above music video shows us what to expect (and Mabanckou gets his cameo).

Further Reading

On the pitch

This year, instead of taking a publishing break, we will be covering the African Cup of Nations. To transition, we consider why football still matters in an era of enclosure, mediated presence, and thinning publics.

Davido’s jacket

Davido’s appearance at ‘Amapiano’s biggest concert’ turned a night of celebration into a study in Afrophobia, fandom, and the fragile borders of South African cultural nationalism.

Empty riddles

Drawing on his forced migration from Rwanda, Serge Alain Nitegeka reflects on the forms, fragments, and unsettled histories behind his latest exhibition in Johannesburg.