You couldn’t miss this trailer in front of The New School’s West 12th Street building in the West Village last week:

The Ghana ThinkTank Mobile Unit is a custom-built teardrop trailer designed to journey into the so-called “First World,” where it collects issues of concern from various local communities. The collected problems get sent to think tanks in Ghana, Cuba, El Salvador, Mexico, Serbia, Iran, Afghanistan and/or other countries, where strategies are developed. The trailer then rolls back into the previously visited communities, this time as a workstation, cooperating with community members to apply the strategies received from this global network of think tanks—whether they seem impractical or brilliant—for effected communities. Ghana ThinkTank thus reverses the customary flow of knowhow from “developed” to “developing” countries in playful and provocative ways.

Photo Credit: Amanda Ghanooni

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.