An interview in a (South African) Sunday paper with a ‘hopping mad’ Caiphus Semenya (the South African musician* was surprised to hear his music was being sampled in the ‘Murder to Excellence’ track on the Jay-Z & Kanye West’s Watch The Throne album — without him being consulted) got us curious about the song used. Turns out it is ‘Celie Shaves Mr./Scarification Ceremony’, of The Color Purple soundtrack which Semenya co-wrote with Quincy Jones, Harvey Mason Jr., Joel Rosenbaum and Bill Summers:

http://www.youtube.com/watch?v=9ci8KKr5zV0

Get them, Caiphus.

In the meanwhile we’ll stick to Zuluboy sampling another song of his (‘Nomalanga’):


[youtube=http://www.youtube.com/watch?v=LNhkatwxLXo&w=600&h=373]

*If you’re wondering who Caiphus is: with his wife Letta Mbulu (fronting their family band) they built respectable careers out of Los Angeles in the 1970s and 1980s. (Click through for the videos of Letta on Soul Train with Caiphus on backing vocals and later in the early 1980s.) When he arrived in the US in the early 1960s, Caiphus started collaborating with Hugh Masekela and Jonas Gwangwa (listen to their Union of South Africa).

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.