
Colonial Vice at the Venice Biennale
At the world’s most prestigious art exhibition, all is not well when it comes to relative newcomers from the African continent.
At the world’s most prestigious art exhibition, all is not well when it comes to relative newcomers from the African continent.
Artist Adjani Okpu-Egbe, interrogates sovereignty and solidarity in southwest Cameroon, for what is known as Ambazonia, and beyond.
Why should people be invested in a football game in a bubble called the art world? “Exhibition Match,” a multifaceted installation, explores responses to this question.
Two books, by art historian Bénédicte Savoy and journalist Barnaby Phillips respectively, detail how we got to this point in the restitution of African heritage.
Julie Mehretu, an Ethiopian-American painter, defies expectations that artists of color should produce representational work.
There can no longer be false justifications for holding Benin Bronzes, and other pilfered materials, in museums outside of Africa.
Episode #39 of AIAC Talk is about exile: a new film on a Libyan dissident and a new exhibition on the black experience. Watch it live Tuesday on YouTube.
Imagine if African films could enjoy shooting and editing on the continent, uninhibited by national and international politics.
What is one particular place when represented photographically?
Prince Louis Rwagasore, also known as “Burundi’s Lumumba," has been reduced to a political tool by the country's elite, but artists are doing his legacy justice.
The painter Cassi Namoda situates herself squarely in the artistic history of Mozambique, especially its rich tradition of anticolonial photography, as she turns outwards to the world.
We all want to see Africa's heritage repatriated to the continent. But what happens after it returns?
Three prominent curators on how they are (re-)situating their respective curatorial practices in relation to the political moment.
On anniversary of the birthday of Patrice Lumumba, the first prime minister of an independent Congo, we ask, "What iconography arose around him, and why is that iconography so diverse?"
When the usual rules no longer hold, like in a pandemic, we might find inspiration in the collectivities and working principles of artists.
The painter Thenjiwe Niki Nkosi speaks to Drew Thompson about the evolution of her practice and how she locates herself in contemporary African art.
Onejoon Che's film about North Korea’s relationship to African countries suggests a unique transcontinental relationship that resists easy classification.
The painter talks about how the distance between Nairobi and London allows him to take on topics at the heart of Kenya’s body politic.
The art world largely Isabel dos Santos’s husband despite him being caught up in large scale corruption.