Upsetting color and its representations
What is one particular place when represented photographically?
What is one particular place when represented photographically?
Prince Louis Rwagasore, also known as “Burundi’s Lumumba," has been reduced to a political tool by the country's elite, but artists are doing his legacy justice.
The painter Cassi Namoda situates herself squarely in the artistic history of Mozambique, especially its rich tradition of anticolonial photography, as she turns outwards to the world.
We all want to see Africa's heritage repatriated to the continent. But what happens after it returns?
Three prominent curators on how they are (re-)situating their respective curatorial practices in relation to the political moment.
On anniversary of the birthday of Patrice Lumumba, the first prime minister of an independent Congo, we ask, "What iconography arose around him, and why is that iconography so diverse?"
When the usual rules no longer hold, like in a pandemic, we might find inspiration in the collectivities and working principles of artists.
The painter Thenjiwe Niki Nkosi speaks to Drew Thompson about the evolution of her practice and how she locates herself in contemporary African art.
Onejoon Che's film about North Korea’s relationship to African countries suggests a unique transcontinental relationship that resists easy classification.
The painter talks about how the distance between Nairobi and London allows him to take on topics at the heart of Kenya’s body politic.
The art world largely Isabel dos Santos’s husband despite him being caught up in large scale corruption.
Meleko Mokgosi’s multimedia works offer complex views of history and powerful critiques of pan-Africanism and the postcolonial moment we are currently living.
A collective of artists and architects are working to reimagine public space in abandoned property developments in Ghana's capital city.
There is a long history of white artists representing black people in France, reproducing stereotypes and failing to capture the people they claim to represent.
Drawing on a long history of political art and protest and to bypass old media censorship, Sudani artists go to the street and online to complement street protests.
Bisi Silva's constant movement was a form of unlearning; in her awareness of artists and cultural production on the African continent.
Among the Ga people of Ghana, there's more to a coffin and the rituals of death than meets the western eye.
A critical review of Swiss theatre director Milo Rau’s multi-media project, "Congo Tribunal,” about the violence in eastern Democratic Republic of the Congo.
New Warscapes volume explores travels and lives of migrants and refugees beyond mainstream portrayals.