
Pan-Africanism and the African artist
Meleko Mokgosi’s multimedia works offer complex views of history and powerful critiques of pan-Africanism and the postcolonial moment we are currently living.
Meleko Mokgosi’s multimedia works offer complex views of history and powerful critiques of pan-Africanism and the postcolonial moment we are currently living.
A collective of artists and architects are working to reimagine public space in abandoned property developments in Ghana's capital city.
There is a long history of white artists representing black people in France, reproducing stereotypes and failing to capture the people they claim to represent.
Drawing on a long history of political art and protest and to bypass old media censorship, Sudani artists go to the street and online to complement street protests.
Bisi Silva's constant movement was a form of unlearning; in her awareness of artists and cultural production on the African continent.
Among the Ga people of Ghana, there's more to a coffin and the rituals of death than meets the western eye.
A critical review of Swiss theatre director Milo Rau’s multi-media project, "Congo Tribunal,” about the violence in eastern Democratic Republic of the Congo.
New Warscapes volume explores travels and lives of migrants and refugees beyond mainstream portrayals.
Art players and enthusiasts from around the world and down the street will coalesce at the
What can we do for 'the worst place in the world'? Surely this play in London, is not the thing.
Why are we so averse to acknowledging complexity, difference, subtlety and agency when it comes to art that emerges from and in Africa?
It’s hard not to imagine what could have been, or indeed could be in postcolonial Ghana if the political will and right management was in place.
Beauty, stillness, and connection in Lagos, Nigeria.
The vigorous disruption by social movements and artists of the thuggish racialized mythmaking that dominates Stellenbosch’s cultural memory.
To equate the rage of South African student protestors with the official brutality of the state is the bedrock of conservatism.
Atiku's street performances - biting critiques of Nigeria's ruling class - encourages participation. Which is often too much for the local ruling class.
Ghana has a housing crisis and Accra is increasingly marginalizing those who are far from able to get a piece of the real estate pie.
Twenty-one years ago, “Angolan Sculpture, memorial of cultures,” curated by Marie Louise Bastin in the Lisbon
'Beauté Congo' wonderfully represents Congolese contemporary art, yet fails to completely evade European colonial baggage.
Muholi on inspirations: "Audre Lorde will always be my favorite because she informed a lot of us, gave us a new way of thinking."