
Outside the field of African art
Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?
4 Article(s) by:
Drew Thompson is a writer and visual historian at the Bard Graduate Center in New York City. He is also a contributing editor for Africa Is a Country.

Asking whether white people should curate African art anymore, may be outdated. Instead we should ask: what is African art now and does the category matter anymore?

Ozier Muhammad captures, for black American audiences, the expressive possibilities of Africa's liberation struggles.

The South African photographer has a complicated place within his country's photographic culture.

Santu Mofokeng’s photographs keep you wanting to know who are these people, what's their sophistications, and what's going to happen to these aspirations?